Friday, December 13, 2019

1947 Indian Chief Roadmaster | History-Making Motorcycles

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The recent resurrection of Indian Motorcycle by Polaris conjures memories of the originals and engenders comparisons of the classics to the new generation.

Larry Van Horn’s 1947 Indian Chief Roadmaster is subtly better than the originals.

The recent resurrection of the Indian motorcycle name by Polaris conjures memories of the originals and engenders comparisons of the classic Indians to the new generation.

At the top of the original Indian product line in its closing years from 1947 to 1953 was the Indian Chief Roadmaster.

It was the model that out-accessorized the base Clubman and mid-range Sportsman variants offered that year. Since the Chief was the only model offered that year, and total production was only 11,849 units, finding a serviceable example can be difficult these days.

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But, once found, if you know what you’re doing, as Larry Van Horn of Monroe, Wis., does, you can not only save that great bike, you may be able to make it better than the original.

Larry Van Horn is a former Suzuki Motorcycle dealership owner and also has many years of experience with automotive body and paint work. His love for classic motorcycles and skill in making machines look beautiful combined when he saw an Indian Chief still in action earning its keep on farm.

Van Horn checked into acquiring the bike and when the deal was done in 2006, he went to work getting it back to its original glory—and a little more.

Original Indians — even the top-of-the-line Roadmaster — lacked a few things that modern motorcycles have. Some affect safety, such as turn signals; some affect rideability like an electric starter; some affect bike longevity and operating status like a tachometer and engine oil temperature gauge.

With some careful reengineering during the bike’s restoration process, Van Horn managed to add all these things, and did so skillfully in a subtle way, so the bike did not lose its original character.

Adding the electric starter was more than just a convenience upgrade; Van Horn explained that he was getting to the age where using the kickstarter made getting the bike going for a ride was more of a challenge than he wanted. Tucked down low and working through the transmission, the electric starter is barely noticeable.

Adding a tachometer was a matter of personal preference. “I don’t push the bike all that hard, but I’m used to having a tachometer, so I added one,” he explained. Again, a Drag Specialties model with a small case tucked down behind the windshield makes the modern upgrade something you have to look for to notice.

“Having to rely on hand signals bothers me. I wanted turn signals, but they had to be consistent with the bike’s design and not overly noticeable,” he said. Again, using vintage style units, sized to blend with the bike’s lines filled the bill.

While those upgrades were carefully melded into the bike’s restoration to go virtually unnoticed to preserve its authenticity, the aesthetic restoration was done to be full-on gorgeous.

The bike was stripped to the frame and all the painted surfaces stripped smoothed and completely re-done with the help of friends and local artisans. A stunning two-tone paint job with hand-painted pin striping, script and graphics makes this Indian a piece of rolling classical art.

Period fringed leather bags and seat are complemented by amazing hand-made studded leather fender skirts front and rear, taking the hallmark deeply valenced fenders one step further.

The 80 cubic-inch, flat-head 42-degree V-twin motor was tuned and thoroughly cleaned, but did not require major mechanical overhaul. The major mechanical components, carburetor and ignition system were cleaned, lubed and tuned to spec, but not replaced with electronic ignition or other modern components.

Van Horn has named his breathtaking Chief Roadmaster “Indian Summer,” a name befitting not only it origins, but its late-blooming beauty and staying power.

Source: 1947 Indian Chief Roadmaster | History-Making Motorcycles

New Beginning at end of Indian Bike Trail

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New Beginning at end of Indian Bike Trail

Motorcycle Restoration part of nostalgia trip

BOULDER (AP) — A growing band of once nearly extinct Indians is being resurrected in Boulder, some restored from rusting graveyards while others quietly survived the decades until their time had come again.
Not the red-blooded variety of hos­tiles these, but iron and steel Indian motorcycles built at the old Wigwam factory in Springfield, Mass., before the firm went bankrupt in 1953, leav­ing Harley Davidson as America’s lone motorcycle manufacturer.
“Save a piece of America — restore something,” is how machinist and tool-and-die maker Jeff Grigsby explains why he got into his growing business of restoring the old Indians to better-than-new condition.
Grigsby, born the year Indian went broke, says his customers are a “well-to-do crowd” since his inside-out restoration jobs run $7,000 to $9,000 on the Chiefs, the big 74-to-80 cubic inch V-twin Indians.
Back in the 1950s after Indian went broke, a dollar-short generation of young riders bought up those big, graceful but distressed Chiefs for $150 to $300. They hacksawed the full-skirted fenders into bobtails and destroyed them in street-drag duels with the quicker, lighter British bikes then flooding the market.
Only a few Indians survived.
Grigsby says there are more than 20 of the Indians running around the Boulder area now, ranging from well-worn to concourse condition. They in­clude the rare Indian 4-cylinder ma­chines, mostly the big V-twin Chiefs, and even a 1915 Power Plus twin.
One of those Indian riders is Eldon Arnold, 58, who bought his 1950 80-inch Chief 23 years ago and now has about 60,000 miles on it.
“You can’t wear them out. With a little extra care they’ll run forever. As the years went by, the Indian got more valuable and I hated to go out on the road with it. And at one time, parts were hard to come by. But they’re being duplicated again now,” Arnold said, summing up the nearly three decades since Indian went broke.
Ninety percent of American motor­cycling today is done on Japanese bikes. Grigsby thinks increasing inter­est in the old Indian bikes is because they were American-made and repre­sent a vibrant, classic era in motorcy­cling.
“It’s a study of history, of American engineering,” Grigsby said of the In­dian bikes who battled Harley, Excel­sior, Henderson, Pope and Cyclone for race track and sales supremacy during the golden age of American motorcycle production.
Indian began production in 1901, won the nation’s first motorcycle race (a 10-miler at Brooklyn, N.Y.) in 1902, then entered international Gran Prix racing and swept Britain’s Isle of Man 1-2-3 in 1911.
Every U.S. national motorcycle championship in 1928 and 1929 was won by an Indian.
“A Harley rider looked on an In­dian rider like a racist thing. It was blood for blood back then and Indian still held all the speed records — and that determined the sales of a lot of motorcycles,” Grigsby said.
“The Indian is a rarer breed (than Harleys a desirable unit. People that rode these bikes when they were young now realize they can get one in better than new condition.
“I guess it’s a compensation to give up a gas-eatin’ hog for a piece of clas­sic transportation that gets 60 to 65 miles to the gallon on regular,” Grigsby added.

At 27, Grigsby is an 11-year veteran of motorcycle mechanics. He dropped out of school at age 16 to attend a Har­ley Davidson factory mechanics school and then took a job at a Los An­geles Harley shop.
He took his four-year machinist’s apprenticeship in Boulder with Ed Gitlin at the shop where Grigsby still does his machining trade.Grigsby had balanced, tuned and blue-printed Harley V-twins for sev­eral years before “I fell into a large in­vestment of close to 40 Indian motorcycles three years ago.”
Since then he has restored five of the Indians, with three more under­way for completion in March. He hopes to expand to 12 at a time for the next batch. “Everybody that sees ‘em, wants ‘em.”
Partner in the effort is Jim Arnold, Eldon’s son, who restores the Indians’
instruments, speedometers, switches and does all detail work.
Grigsby says his Indians go through five stages of complete dismantling and reassembly. The final finish and fit is more like that of a hand-built Italian Ferrari than the original, pro­duction Springfield Indians.
Grigsby replaces plain bronze bush­ings with needle bearings wherever possible, Teflon-coats engine parts, mirror polishes combustion chambers and improves on the original lubri­cation system.
If the Indian was such a classic, why did the firm go belly up?
Cycling historians say loss of World War II government contracts when the military opted for the Jeep instead of courier motorcycles and a fatally flawed new British-style engine mar­keted after the war — it consistently blew main bearings — led to Indian’s defeat.
Now, 27 years later, restorers like Grigsby and Arnold at shops scattered across the country are bringing the last remnants of the old Indian line back to showroom condition as Amer­ica’s nostalgia kick moves into the mo­torcycling arena.
And after so many moons, the end of the trail for Indian has become a new beginning.

Editors Note:This reprint is from 1980. Jeff is still active with building musem quality Indian Motorcycles. He is one of many rebuilders who have kept the brand alive!