Two motorbikes that featured in The World’s Fastest Indian movie will roar back into life at this week’s Burt Munro Challenge event in Invercargill and Bluff.
The Burt Munro Challenge is being held for the 10th time from Thursday until Sunday and features six events ranging from hill and beach racing to track and road racing.
The event is named after former Invercargill resident Burt Munro who set numerous land-speed records for motorcycles with engines less than 1000cc at the Bonneville Salt Flats in Utah in the late 1950s and 1960s.
Munro’s exploits on his motorcycle were based on the 2005 feature film, The World’s Fastest Indian, some of which was filmed in Southland. Actor Anthony Hopkins played the part of Munro.
Burt Munro Challenge committee member Stephen Winteringham said they wanted to do something special to mark the 10th anniversary of the event this year.
So they have got hold of two replica motorbikes, from the Southland Museum and an Invercargill arcade, which featured in the movie a decade ago.
The bikes will be ridden in demonstrations before numerous Burt Munro Challenge events begin this week if the weather permits.
The event organisers wanted the public to see and hear the motorbikes in action for the first time since the movie a decade ago.
The motorbikes on show will be an Indian, which was ridden on Oreti Beach near Invercargill during the movie, and a Ducati which was under a fibreglass shell when ridden on the Bonneville Salt Flats during the movie.
The two people charged with riding the two motorbikes during the Burt Munro Challenge are Rhys Wilson and Francie Winteringham, the 2012 and 2014 winners of the Burt Munro family trophy.
They took the bikes for a spin for the first time on Monday, and Wilson was buzzing after riding the throaty Indian around the Teretonga track.
“Exhilarating. Every motorcyclist’s dream,” he said.
Francie Winteringham said riding the two bikes was a lifelong dream fulfilled.
“Burnt my leathers a bit, both bikes were a handful to ride, definitely unlike anything I’ve ever done.”
Stephen Winteringham also rode the Ducati around the Teretonga track, and, like Munro in the movie, burnt his leg on the exhaust pipe.
“She’s a mission, I take my hat of to Burt.”
The bikes will be ridden at Bluff prior to the hill climb on Thursday, before the Oreti Beach racing on Friday and around Teretonga track on Saturday, Winteringham said.
For Barry Teller, the recipe for a labor of love involves an engine with three speeds, 300 hours of work and approximately 1,500 moving parts.
Four years ago, Teller received a 1937 Indian Sport Scout motorcycle packed in “many boxes,” after agreeing to take on the restoration project for a friend in Ohio in memory of his brother.
As Teller looked over the motorcycle, he said, some of the parts inside the boxes or connected to the Sport Scout were wrong. And that is when he was determined to set out and restore the Depression-era motorcycle faithfully to its original look.
The motorcycle, manufactured by the Indian Motorcycle Co. from 1934 to 1942, was smaller than the Chief model, Teller said, and was “a little more affordable.” The motorcycle Teller restored was purchased from the original owner’s family in the 1960s, and has been in pieces for many years.
Teller said he scoured the nation looking for original or faithfully reproduced parts. “They’re hard to come by,” Teller said of suitable parts for the motorcycle.
Although Teller has restored other motorcycles and mechanical items, taking on the Indian Sport Scout was mostly “for the challenge of the project.”
While working on the Indian, Teller said he was told by a few seasoned restorers that the Sport Scout is “one of the hardest to restore.”
“It was nerve-wracking at times,” he said. But he didn’t go at it completely alone. Another friend painted the motorcycle, while a pinstriping contact from Ohio took on the 10-hour project of applying the gold linear highlights.
Because of its insured value — $30,000 to $40,000 — Teller said, the recipient of the motorcycle requests anonymity.
Before packing the motorcycle for its trip south, Teller test-rode the vintage wheels through the neighborhood, but because he is used to riding only “conventional” motorcycles, his travel in nostalgia was brief. “It operates and rides differently,” he said.
Last week, the motorcycle made its trip “home,” where it will likely be stored in a private, museum-like setting. And that is fine with Teller. “It’s like a work of art,” he said about the restored motorcycle.
In the 1955 Indian started to import English built motorcycles, and branded them Indian Motorcycles. This was under a five year contract with Royal Enfield, which ran from 1955 – 1959 inclusive. After 1953 the Indian name survived only as the Indian Sales Corporation. The Indian Sales Corporation primarily imported Royal Enfields. These bikes were branded as Indian motorcycles for the American market. The imported motorcycles ranged in size from 150cc to the largest 750cc twin model. One model they imported was the Royal Enfield Bullet. This model was called the Indian Woodsman, and Westerner for the US market. Amazingly this same bike is still in production and is being imported into the United States as the Enfield Bullet.
Now one may ask, how can this be when Royal Enfield went out of business in 1970 ? It is not generally known that the Royal Enfield – after the closure in England – nevertheless went on in another place where the classic already had been manufactured for years. The Royal Enfield was also being manufactured in India. This was owing to the fact that the Indian government had set about purchasing a large number of motorcycles for its police and army in 1955. They needed a solid, economical, maneuverable and reliable motorcycle in order to cope with the miserable roads of the mountainous regions, the heat in the deserts and the humidity of the tropical rain forest. After doing a lot of testing of various brands, the Bullet of the Royal Enfield company was chosen as the most suitable. Thus the Indian government ordered 800 of the 350 cc model in England.
The Royal Enfield company was not able to keep up with the sizable orders coming in from India and a decision was made then to form an independent Indian firm (Enfield India) with British tools in Tiruvottiyur, Madras. There, various Bullet models were manufactured similary to those from England during the 1955 model year. After the closure of the Royal Enfield company, Enfield India was alone in manufacturing the Bullet.
During the 1980’s, the Bullet started being exported to foreign markets, among others, to it’s native country, England, and by the mid 90s the gradually refined classic was for sale in more than 20 countries including Canada and the USA among others. To this day more than half a million Enfields have come out of the modern production line in India, where six different models are being manufactured. On all the models, old traditions like the hand painted golden pinstripes on the tank and the mudguards are maintained. Where on earth did you ever see the like of it?
The Enfield Bullet comes in two versions – a 350 cc and a 500 cc. At the moment Enfield Bullet is available in three variant types: Standard, Deluxe and a Army model. The only difference between the standard and the deluxe models is that the deluxe model has a chrome plated tank, chrome plated mudguards, and chrome air cleaner.
The standard model comes in the colors grey, green, and black. The deluxe model is available in black, red and blue. It is possible to obtain the motorcycle in other colors as well. For both models, an option is available to convert the foot shift to the right side, instead of the British Left Side.
It can be said that everybody stares at the Bullet. Only a few own one. Everywhere you go, you will be turning heads, as people look at your new classic motorcycle. The 1999 Bullet is still a 1955 motorcycle. It’s a rickety ride compared to anything modern. It has huge amounts of character. For just under $4,000, it’s a reasonably priced bike. The Enfield India does have modern hand controls, mirrors, shocks and a seat that works, although, purchasing one of the accessory seats may be more comfortable. The motor is very peppy and has a high amount of torque, for a single. The quality is good, remember they now have 40 years experience building this motorcycle ! Most reviewers relate that overall the bike is very reliable, as well. In an age when we seem fascinated with what is classic, the Royal Enfield works. It’s a classic, hands down. You’ll be the first on the block with one of these. All that is needed, is to add the Indian Script to the tank, and you can claim it is an “Indian Enfield.”
Engine 4 stroke, air-cooled, OHV
Max. bhp 22bhp@5400rpm
Max. torque 3.5 kgm/3000rpm
Compression ratio 6.5:1
Transmission Four-speed gear box
– Top speed of 125 kmph
– Unique neutral finder lever
– Fuel consumption of 70 mpg
– Stunning black paint finish with gold line on fuel tank
– Tiger-head headlamp casing design
– Pilot lamp for parking
– Unique silencer beat
– Fulcrum lever on main stand for easy parking
– Adjustable rear shock absorbers
For more info please contact the U.S. Distributor:
Classic Motorworks PO BOX 917; Fairbault, MN 55021.
Phone: 800-201-7472. http://www.enfieldmotorcycles.com
America’s first motorcycle company, today announced its Scout Inspired Custom Series; a chronology of the rich, century-long history of the Indian(R) Scout(TM) motorcycle. Throughout 2015, Indian Motorcycle will unveil a series of custom Indian Scouts designed and crafted by some of America’s leading custom bike builders — each designed to celebrate an important Indian Scout milestone or achievement since its debut in 1920. Each of the custom Scouts will be accompanied by vignettes to share the legacy of the Indian Scout.
To kick-off the series, Indian Motorcycle today launched the Custom Military Scout in a vignette narrated by Mark Wahlberg. The Custom Military Scout is a tribute to the company’s nearly 100-year history of supporting the U.S. Military and to celebrate Indian Motorcycle’s partnership with USO. The Custom Military Scout was designed and built by world-renowned custom builder Klock Werks Kustom Cycles of Mitchell, South Dakota.
“Klock Werks Kustom Cycles is honored to partner with Indian Motorcycle on a project that pays tribute to the USO and their outstanding work on behalf of the dedicated men and women of our U.S. Armed Forces,” said Brian Klock, founder of Klock Werks. “Indian Motorcycle has a long and impressive legacy of supporting the U.S. Military dating back to WWI and all of us at Klock Werks are humbled to play a role in this important and historic endeavor.”
The Custom Military Scout is built on the award-winning 2015 Indian Scout platform, sporting a matte green paint indicative of a vintage military bike that was perfectly applied by Brad Smith of The Factory Match. It utilizes taillights that are modern street legal reproductions on a custom bracket to mimic the original military-style lights. The Custom Military Scout features Genuine Indian Motorcycle Accessory leather saddlebags, a Klock Werks “Klassic” seat kit and leather wraps for the base of the Indian accessory quick-detach windshield — all upholstered using matching leather hides. A custom gun scabbard mount holds a Thompson sub-machine gun with a custom gunstock by Boyds Gunstocks of Mitchell, SD etched with both the USO and Indian Motorcycle logos.
“Today we are proud to launch our Scout Inspired Custom Series with our inaugural episode dedicated to the USO and our mutual support of the U.S. Military and their families, and we are grateful to brand ambassador Mark Wahlberg and our friends at Klock Werks for their support and fine craftsmanship,” said Steve Menneto, Polaris Industries vice president of motorcycles. “The Indian Scout has built a long and storied legacy of racing wins, world records, engineering innovations and industry firsts, and along the way it has won the hearts and minds of fans around the world. Those achievements have materially impacted our current and future direction for the Indian Scout marque, and we look forward to telling some of those important stories through our Scout Inspired Custom Series.”
The Custom Military Scout and accompanying video vignette narrated by Mark Wahlberg can be found by visiting www.indianmotorcycle.com, along with upcoming stories in the Scout Inspired Custom Series.
ABOUT THE USO The USO lifts the spirits of America’s troops and their families millions of times each year at hundreds of places worldwide. We provide a touch of home through centers at airports and military bases in the U.S. and abroad, top quality entertainment and innovative programs and services. We also provide critical support to those who need us most, including forward-deployed troops, military families, wounded warriors, troops in transition and families of the fallen. The USO is a private, non-profit organization, not a government agency. Our programs and services are made possible by the American people, support of our corporate partners and the dedication of our volunteers and staff.
ABOUT KLOCK WERKS Located in Mitchell, South Dakota, Klock Werks has grown from humble beginnings to an internationally recognized brand. Achieving status as “Air Management Experts,” Klock Werks credits this to the success of the original patented, Flare(TM) Windshield. Also supplying fenders, handlebars, and other motorcycle parts, Klock Werks proudly leads the industry through innovation in design and quality of materials and fitment. Team Klock Werks has been successful for years designing parts, creating custom motorcycles and setting records on the Bonneville Salt Flats. You will find motorcycles, family, and faith at the core of Klock Werks, along with a commitment to caring for the needs of enthusiasts around the world who enjoy their products.
ABOUT INDIAN MOTORCYCLE(R) Indian Motorcycle, a wholly-owned subsidiary of Polaris Industries Inc. is America’s first motorcycle company. Founded in 1901, Indian Motorcycle has won the hearts of motorcyclists around the world and earned distinction as one of America’s most legendary and iconic brands through unrivaled racing dominance, engineering prowess and countless innovations and industry firsts. Today that heritage and passion is reignited under new brand stewardship. To learn more, please visit www.indianmotorcycle.com.
The recent resurrection of Indian Motorcycle by Polaris conjures memories of the originals and engenders comparisons of the classics to the new generation.
Larry Van Horn’s 1947 Indian Chief Roadmaster is subtly better than the originals.
The recent resurrection of the Indian motorcycle name by Polaris conjures memories of the originals and engenders comparisons of the classic Indians to the new generation.
At the top of the original Indian product line in its closing years from 1947 to 1953 was the Indian Chief Roadmaster.
It was the model that out-accessorized the base Clubman and mid-range Sportsman variants offered that year. Since the Chief was the only model offered that year, and total production was only 11,849 units, finding a serviceable example can be difficult these days.
But, once found, if you know what you’re doing, as Larry Van Horn of Monroe, Wis., does, you can not only save that great bike, you may be able to make it better than the original.
Larry Van Horn is a former Suzuki Motorcycle dealership owner and also has many years of experience with automotive body and paint work. His love for classic motorcycles and skill in making machines look beautiful combined when he saw an Indian Chief still in action earning its keep on farm.
Van Horn checked into acquiring the bike and when the deal was done in 2006, he went to work getting it back to its original glory—and a little more.
Original Indians — even the top-of-the-line Roadmaster — lacked a few things that modern motorcycles have. Some affect safety, such as turn signals; some affect rideability like an electric starter; some affect bike longevity and operating status like a tachometer and engine oil temperature gauge.
With some careful reengineering during the bike’s restoration process, Van Horn managed to add all these things, and did so skillfully in a subtle way, so the bike did not lose its original character.
Adding the electric starter was more than just a convenience upgrade; Van Horn explained that he was getting to the age where using the kickstarter made getting the bike going for a ride was more of a challenge than he wanted. Tucked down low and working through the transmission, the electric starter is barely noticeable.
Adding a tachometer was a matter of personal preference. “I don’t push the bike all that hard, but I’m used to having a tachometer, so I added one,” he explained. Again, a Drag Specialties model with a small case tucked down behind the windshield makes the modern upgrade something you have to look for to notice.
“Having to rely on hand signals bothers me. I wanted turn signals, but they had to be consistent with the bike’s design and not overly noticeable,” he said. Again, using vintage style units, sized to blend with the bike’s lines filled the bill.
While those upgrades were carefully melded into the bike’s restoration to go virtually unnoticed to preserve its authenticity, the aesthetic restoration was done to be full-on gorgeous.
The bike was stripped to the frame and all the painted surfaces stripped smoothed and completely re-done with the help of friends and local artisans. A stunning two-tone paint job with hand-painted pin striping, script and graphics makes this Indian a piece of rolling classical art.
Period fringed leather bags and seat are complemented by amazing hand-made studded leather fender skirts front and rear, taking the hallmark deeply valenced fenders one step further.
The 80 cubic-inch, flat-head 42-degree V-twin motor was tuned and thoroughly cleaned, but did not require major mechanical overhaul. The major mechanical components, carburetor and ignition system were cleaned, lubed and tuned to spec, but not replaced with electronic ignition or other modern components.
Van Horn has named his breathtaking Chief Roadmaster “Indian Summer,” a name befitting not only it origins, but its late-blooming beauty and staying power.
This 1948 Indian Chief is one of the most important Indian motorcycles on the planet.
There’s a good chance, many years from now, that history will judge this particular red-and-white 1948 Indian Chief as one of the most important Indian motorcycles on the planet. No, it wasn’t owned by Steve McQueen or any other celebrity; it’s not a special VIN, not the only or the first or the last of anything; it certainly didn’t win any races or set any speed records either. It’s unremarkable except for one fact: This is the motorcycle that spent two years parked in the Polaris design studio, where it served as the visual inspiration and literal touchstone for the design team that reinterpreted the vintage Indian style for the modern era.
This bike isn’t a static showpiece. It’s fully operational, and Indian Product Director Gary Gray offered us the unique opportunity to ride this vintage classic side by side with the modern Chief that carries so much of its DNA in its lines and design. Gray is the person who actually located this bike for Polaris , negotiating the purchase from a Minnesota collector shortly after Polaris acquired the Indian brand in 2011. It’s a 1948 Chief with the mid-level Sportsman trim package, distinguished by the chromed crashbars, handlebar, headlight and spotlights, and “De Luxe” solo saddle. Riding this bike alongside the 2014 Chief Vintage reveals how far bikes have come in 66 years—it feels like light-years—but it’s surprising how similar the two bikes feel in certain ways. That’s a testament to the fine job Gray and company did translating the old glory to a new generation.
The first difference you notice is scale. Wheelbase and seat height are roughly similar, but the vintage bike, weighing just 550 pounds, is almost 250 pounds lighter than the modern machine. This makes the older bike easier to maneuver, especially pushing it around a parking lot, and it handles well at speed too. Sixteen-inch wheels are concealed under those deep fender skirts, and the ride is surprisingly smooth thanks to the coil-sprung, hydraulically damped girder fork and “Double Action” plunger-sprung rear frame (each shock carries two springs: a top spring for cushioning and a bottom spring for damping) that was a cut above Harley’s then-current rigid frame/sprung saddle combination.
The 74ci (1,200cc), 42-degree flathead V-twin, with roots reaching back to 1920, was already obsolete in 1948 (Harley-Davidson released its overhead-valve Panhead that same year), but with roughly 50 hp and a broad spread of torque it’s adequate for back-road cruising. Top speed is said to be near 100 mph, but it’s happier nearer the double nickel where it doesn’t feel (and sound) like it’s going to shake itself apart. Besides, the drum brakes—the front all but useless and the back not much better—can’t compete with more velocity than that.
Often copied, never equaled (until now): the original 1948 Indian Chief
The control layout is utterly unlike the modern bike. Both grips rotate. The right grip “controls” the Linkert carburetor; the left rotates the automotive-type distributor to manually retard or advance the spark for easier starting. “Controls” is in quotes because any grip input to the crude, poorly atomizing Linkert is a mere suggestion. Engine response lags behind grip input by a few seconds, and the lack of a throttle return spring and a solid throttle wire—not a cable—makes rev-matching during shifting all but impossible. Speaking of shifting, there’s no clutch lever. Instead there’s a foot clutch on the left floorboard (a rocker clutch you have to manually engage and disengage, not a spring-loaded “suicide” clutch) and a hand-shifter on the left side of the fuel tank.
Temporarily rewiring your brain to smoothly manipulate that rocker clutch with your foot and fluidly change the cantankerous, non-synchronized, three-speed gearbox with your left hand is the biggest challenge, but once you get the vintage Chief up to speed it’s a delightful back-road ride, with a perfectly upright riding position that’s more natural and less slouchy than the clamshelled hunch the newer bike demands. It’s a classic American motorcycle experience, and Gray and his team have done an excellent job of transposing this vintage vibe onto the new machine. Starting with such sound genetic material as this, though, how could they go wrong?
A new book has just been published with some very nice photographs. If you are a fan of early motorcycle history you will love reading about and looking at this unpublished early photographs.
Georgia Motorcycle History: The First 60 Years, is the culmination of tireless research, pouring over hundreds of archives, articles, family collections, books, and interviews. This stunning, 270-page, clothbound, hardcover coffee table book illuminates the earliest days of American motorcycling culture through the photographs and stories of Georgia. The exclusive collection contains nearly 250 black and white archival photographs, each image methodically researched and captioned in vivid detail. While several key figures in American motorcycling history are featured, the book also explores topics such as the motorcycle’s role as it was used by civilians, military and service departments, professional racers, and farmers.
The book begins with an introduction of the motorcycle at the turn of the century. From there, the first chapter presents the story of Georgia’s first motorcycle and expands into colorful stories of America’s earliest enthusiasts and pioneering spirits. The second chapter recounts the exhilarating and dangerous tales of motorcycle racing, from its origins on horse tracks and the infamous motordromes to the later industrialized and professional sport that we know today. It wasn’t all fun and games though. In chapter three, the book looks into the motorcycle’s role in both WWI and WWII as well as its indispensable place in various municipal service departments. In the last chapter, Georgia Motorcycle History steps back and reviews the motorcycle’s evolution from a bicycle with a clip-on motor to an advanced technological mode of transportation, from a simple utility to a member of the family.
The pictures and stories included in Georgia Motorcycle History reach far beyond a simple documentation of local history. They embody the American spirit and represent a cornerstone of our nation’s culture. Over 200 copies of this stunning book have been sold to eager customers in 15 different countries within the first 2 months of its release and copies are now being carried by exclusive retailers and world-class museum gift shops.
For more information and to purchase the book, you can visit the authors website at:
High on the list of truths universally acknowledged must be the fact that the Indian Motorcycle, as a legend, a logo and a symbol ranks up there with the golden arches and the three-pointed star, with power and value beyond calculation. On the other hand, naming your daughter Baby Ruth doesn’t ensure she will hit 60 homers a season against big-league pitching. To collect on the promise of legend and esteem, you gotta have a product.
We are concerned here with the Indian, originally spelled Motocycle by the founders, as currently offered by Polaris Industries. To fully appreciate this, we’ll have to look back 60 years, to an undisputed tragedy.
At the close of WWII, a prosperous and product-starved public was ready to buy just about anything. The car and motorcycle makers had learned a lot during the war, but they were canny enough to offer the old versions while testing and refining the new. The 1947 Harley-Davidsons, Fords, Chevys, Dodges, etc., were identical to the 1941 models, while the improved models—the ohv Oldsmobile engine and the telescopic-fork Hydra-Glide—didn’t get here until 1949.
But at the Wigwam, as always, things were different. E. Paul DuPont, who owned Indian and kept the brand in business through the Great Depression, sold his shares in the company. The new owners had new ideas—vision, one could say. The firm’s chief engineer had designed a radical line of really new machines, modular in that there would be a Single, a Twin and a Four, all using the same basic design, all overhead valve, foot shift and hand clutch, suspension fore and aft, with the writing on the tank being the only clue as to what was what.
Further, the new president embarked on a revolutionary ad campaign. As the Japanese say, he reckoned to enlarge the pie, rather than fight over slices. The completely different motorcycles were launched in 1945, with a completely different campaign endorsed by baseball, show business and movie stars.
But wait: Doesn’t this sound like Honda in 1959, meeting the nicest people and all that? Yes. But for one thing, Honda’s dealer network was based on new people who mostly ran hardware or sporting-goods stores, and for another, Honda’s engineering raised the bar worldwide.
Indian’s new bikes—the Single and Twin (the inline-Four never got past the prototype stage)—were disasters. When they didn’t blow up, they broke down. The motorcycling community was small, and everybody knew how bad the new models were. Add to that, the old dealer network, the guys who’d raised a stink when the evergreen Scout was abandoned and stormed the boardroom demanding a new one, wasn’t always that happy with the new people.
Suffice it here to say that everything that could go wrong did. The money ran out and Indian’s new owners begged for help. The English brands were doing well, so Indian asked to distribute several makes. A partnership was formed, and before you could say the camel’s nose was in the tent, the Indian visionaries were out, the English owned Indian and production of the new models was immediately stopped. The final production run of the final genuine Indians, the Blackhawk version of the side-valve 80-inch Chief, came in 1953.
There followed a run of Royal Enfields and later, Matchlesses labeled Indian, but fooling nobody. Next, a puzzle and struggle over ownership of the script, name and symbols. There were Matchless-Indians, then a run of Italian Indians backed by entrepreneur Floyd Clymer, first road bikes and then motocross.
Next, a series of failures on a different stage: promoters with big plans and no money, who never made any motorcycles. A serious effort appeared in 1999. There was a major market at the time for full-dress Harleys and look-alike rivals from the major brands. Indian of America had a factory in Gilroy, California, and produced a viable machine, a big Twin styled like the old Chief and powered by a version of a Harley clone. But the funding wasn’t enough, sales did not meet hopes and the firm went bankrupt in 2003. Three years later, another group of investors picked up the baton and began building the same sort of repro-Indian Chief, this time with modern engineering as in EFI and a bigger V-Twin than Indian Motocycle ever dreamed of—all of it just in time for the bottom to drop out of the market.
But the true revival, one can only hope, came in 2011, when Polaris bought the struggling brand. What’s the difference this time? The lesson since the debacle in 1945 is clear: It’s a heap more difficult to produce a viable motorcycle than all those dreamers and promoters realized. They all had the script and the logo and the legend, but not one had a product to match the hype, good intentions or no.
In contrast, Triumph, with a logo and badge nearly as good, was revived and still thrives simply because it had 1) the capital to invest; and 2) a properly engineered machine that created its own market. It didn’t revise the classic Bonneville Twin until the big Triples proved that the product matched the promotion. Knock wood, those Indian dealers who stormed the boardroom demanding a new Scout in 1947, may soon get their wish. Except there is a very good chance it will be a Chief.